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The same year, Variety highlighted her as an up-and-coming animator.
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Although she had never watched the series before working on the show, the line producer for the second season of Gravity Falls was also working on DuckTales and brought her into the show. Terrace later said she wasn't feeling "fulfilled artistically or emotionally" in the job, which moved her to create her own series. In 2017, Terrace directed various episodes of DuckTales and made the character Webby Vanderquack "more dynamic." In 2018, she inked 34 pages of Hirsch's graphic novel, Gravity Falls: Lost Legends: 4 All-New Adventures! Career In 2014, she tabled at the CTN Animation Expo with Nate Swineheart, and sold prints, sketchbooks, and other works. In 2019, she said she had a "wonderful experience" on Gravity Falls and said she "couldn’t have asked for a better first gig." She stated in a 2016 interview that she was waiting to hear back from Steven Universe because she was a fan of Rebecca Sugar after seeing her films at SVA, but they "took too long to reply" so she decided to work for Gravity Falls instead. Terrace also animated sequences for the show that were animated in-house due to being considered too important to be animated by outside studios.
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Her work for Gravity Falls would be her "first professional animation job," where she learned to storyboard, how to handle a crew, and have a clear vision. As she described it in 2017, she was brought into Gravity Falls because creative people working on the show liked what they saw on her Tumblr blog, and she was brought in because she was willing to do any kind of animation for a specific scene. Internship and early work Īfter graduating from SVA in 2013, she interned the following summer at JibJab, where she met an individual from Gravity Falls who saw her student film Mirage and sent her a storyboard test, subsequently landing her a job on the series as a storyboard revisionist. Blanderstein went on to win a Dusty Award for "Outstanding Traditional Animation and Achievement in Traditional Animation Character Design," tying with Michael Ruocco's thesis film, Destiny is for the Birds. In 2011, Terrace was an assistant for a thesis horror comedy film by Zach Bellissimo titled Blanderstein, as was Terrace's roommate Luz Batista. She later described her experience at SVA as a mixed bag, although she learned a lot from online tutorials, her peers, and fellow students. At the time, when asked about animating, she said she loved it, and said she is on the track to become a "proper filmmaker" and stated that she would collaborate with Maidagan in the future. The film was praised as being "flawlessly executed," was shown at the LA Shorts Fest, and resulted in Terrace and Maidagan receiving an Alumni Scholarship Award. Maidagan did the layout and wrote the story, while Terrace animated and designed the characters. The following year, she worked with Iker Maidagan on a short animated film titled "Mirage". "Kickball" was praised for its design and "expressive motion" and won a grant from the National Board of Review. In April 2012, during her third year at SVA, she created an animated short titled "Kickball," with voiceovers by Yotem Perel and music by Jeff Liu. While there she drew for about eight hours a day, and began posting work to her Tumblr blog. Terrace studied animation at the School of Visual Arts in New York. She attended Cooperative Arts and Humanities High School in New Haven, Connecticut, In 2000, she created her first flip-book animation, which focused on " Pikachu thundershocking a Charmander." Terrace was a dancer for 10 years.
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Princess Mononoke, Studio Ghibli films, and Garfield influenced her as well. As a child, she watched cartoons like The Powerpuff Girls, South Park, and The Simpsons, inspiring her later works. Rita School, a local Catholic School, gaining an interest in painters such as John Bauer, Remedios Varo, and Hieronymus Bosch.